My photography embraces a lo-fidelity aesthetic that employs optical conditions suggestive of atmospheres reminiscent of daydream and memory.
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I am interested in street photography because I find its forms and energies challenging, but also because I value a methodology that often feels like choreography, where I move with the movement—responding to the random through improvisation. My work explores how the ‘fast’ image moves from becoming into being—when my gaze edges up to that precise moment when time is memorialized by the shutter press.
To further investigate the temporal element of photography, I am interested in double exposures, which allow me to focus on time as a medium. This compression of two temporal and spatial layers into a single composition is explored in several of my pieces.
