top of page
As a photographer, I am interested in how the captured image is an expression of transience. I explore this fluency using film and a Holga, an inexpensive plastic lens camera with minimal controls for focus and exposure.
This approach allows me to embrace a lo-fidelity aesthetic that employs traditional imperfections—such as soft focus, distortion and light leaks—to suggest atmospheres reminiscent of daydream and memory.
For me, this optical environment adds resonance to historical cityscapes and natural topographies, as well as amplifies the ephemeral and uncanny quality of the peculiar among the quotidian.
bottom of page